View your shopping cart.
If you're a local customer, any books you order can be available for in-store pickup. Simply fill out the "delivery information" section with your home address, and select "In-Store Pickup" under "Calculate shipping cost". We'll let you know when your order is available to be picked up!
An Armenian Sketchbook (eBook)
An NYRB Classics Original
Few writers had to confront as many of the last century’s mass tragedies as Vasily Grossman, who wrote with terrifying clarity about the Shoah, the Battle of Stalingrad, and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun.
After the Soviet government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there.
This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.
About the Author
Vasily Semyonovich Grossman was born on December 12, 1905, in Berdichev, a Ukrainian town that was home to one of Europe’s largest Jewish communities. In 1934 he published both “In the Town of Berdichev”—a short story that won the admiration of such diverse writers as Maksim Gorky, Mikhail Bulgakov, and Isaak Babel—and a novel, Glyukauf, about the life of the Donbass miners. During the Second World War, Grossman worked as a reporter for the army newspaper Red Star, covering nearly all of the most important battles from the defense of Moscow to the fall of Berlin. His vivid yet sober “The Hell of Treblinka” (late 1944), one of the first articles in any language about a Nazi death camp, was translated and used as testimony in the Nuremberg trials. His novel For a Just Cause (originally titled Stalingrad) was published to great acclaim in 1952 and then fiercely attacked. A new wave of purges—directed against the Jews—was about to begin; but for Stalin’s death, in March 1953, Grossman would almost certainly have been arrested himself. During the next few years Grossman, while enjoying public success, worked on his two masterpieces, neither of which was to be published in Russia until the late 1980s: Life and Fate and Everything Flows. The KGB confiscated the manuscript of Life and Fate in February 1961. Grossman was able, however, to continue working on Everything Flows, a novel even more critical of Soviet society than Life and Fate, until his last days in the hospital. He died on September 14, 1964, on the eve of the twenty-third anniversary of the massacre of the Jews of Berdichev in which his mother had died.
Praise for An Armenian Sketchbook…
“Vasily Grossman is the Tolstoy of the USSR.” —Martin Amis