33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday to Green Day (Paperback)
From one of the most prominent music critics writing today, a page-turning and wonderfully researched history of protest music in the twentieth century and beyond
Nowhere does pop music collide more dramatically with the wider world than in the protest song, which forces its way into the news and prompts conversations from Washington to Westminster. Rather than being merely a worthy adjunct to the business of pop, protest music is woven into its DNA. When you listen to Bob Dylan, Stevie Wonder, Public Enemy, or the Clash, you are not sitting down to a dusty seminar; you are hearing pop music at its most thrillingly alive.
33 Revolutions Per Minute is the story of protest music told in 33 songs. An incisive history of a wide and shape-shifting genre, Dorian Lynskey's authoritative book takes us from the days of Billie Holliday crooning “Strange Fruit” before shocked audiences to Vietnam-era crowds voicing their resentment at the sounds of Bob Dylan to the fracas over the Dixie Chicks’ comments against George W. Bush during the Iraq War.
About the Author
Dorian Lynskey is a music writer for the Guardian. He also writes for Q, The Word, and Spin, among other publications. 33 Revolutions Per Minute is his first book.
“This book is impressive in scope.” — New Yorker
“A longtime music critic, Lynskey presents up-close details to ballast the book’s larger historical sweep.” — Los Angeles Times
“Lynskey has a strong command of the music and its makers.” — Wall Street Journal
“lovely writing…Let’s praise the agile, many-tentacled writer Mr. Lynskey can often be, because I loved bits of this book; you can pluck out the many tasty things like seeds from a pomegranate.” — New York Times
“British music critic Dorian Lynskey offers a completely absorbing look at 33 songs, spanning seven decades and haling from five continents...Comprehensive and beautifully written.” — Booklist (starred review)
“[A] provocative, absorbing book” — Cleveland Plain Dealer
“A must-read for militant-music lovers.” — The Root