A Camera in the Garden of Eden: The Self-Forging of a Banana Republic (Paperback)

A Camera in the Garden of Eden: The Self-Forging of a Banana Republic Cover Image
$27.95
Add to Wish List
Special Order - Arrival Times Vary

Description


In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company’s power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated “banana republics.”

In A Camera in the Garden of Eden, Kevin Coleman argues that the “banana republic” was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study.

About the Author


Kevin Coleman is an assistant professor of history at the University of Toronto Mississauga.

Praise For…


"The strengths of Coleman's volume rest on its heretofore never seen visual record of a banana enclave…the subjects of these photographs speak to us in arresting ways."
— Journal of Latin American Studies

"Kevin Coleman's innovative and timely study integrates a critical analysis of the social uses of photography and photographs with the tumultuous political history of twentieth-century Honduras...Coleman's study is a marvelous example of why it remains important for historians to have an ear on the ground (and their eyes on the walls) in the rooms where the stories happened."
— Hispanic American Historical Review

"Coleman is able to give voice to various segments of Honduran society that are otherwise excluded in national histories."
— Canadian Journal of Latin American and Caribbean Studies


Product Details
ISBN: 9781477308554
ISBN-10: 1477308555
Publisher: University of Texas Press
Publication Date: February 23rd, 2016
Pages: 328
Language: English