Elusive Archives: Material Culture in Formation (Material Culture Perspectives) (Paperback)
The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive. Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.
This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.
This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.
MARTIN BRÜCKNER is the director of the Winterthur Program in American Material Culture and a professor in the English department at the University of Delaware in Newark. His books include The Social Life of Maps in America, 1750-1860 and The Geographic Revolution in Early America: Maps, Literacy, and National Identity.
SANDY ISENSTADT is a professor and chair of the art history department at the University of Delaware in Newark. His most recent book, Electric Light: An Architectural History, is the first sustained examination of the architectural spaces generated by the introduction of electric lighting.
SANDY ISENSTADT is a professor and chair of the art history department at the University of Delaware in Newark. His most recent book, Electric Light: An Architectural History, is the first sustained examination of the architectural spaces generated by the introduction of electric lighting.