Loot: Britain and the Benin Bronzes (Hardcover)

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(WORLD HISTORY)

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A tragic story of the British empire run amok and the plunder of great works of art

‘A fascinating and timely book.’ William Boyd

‘Gripping…a must read.’ FT

‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard

‘[A] valuable guide to a complex narrative.’ The Times

In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art.

This is the story of the ‘Benin Bronzes’: their history before the British took them, their fate since 1897, and the intense debate about their future. When they were first displayed in London their splendour and antiquity challenged the prevailing view of Africa as a continent without culture or history. They are now amongst the most admired and valuable artworks in the world. But seeing the Benin Bronzes in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?

About the Author


Barnaby Phillips spent over twenty-five years as a journalist, reporting for the BBC from Mozambique, Angola, Nigeria and South Africa before joining Al Jazeera English. He is the author of Another Man’s War: The Story of a Burma Boy in Britain’s Forgotten African Army, which is also published by Oneworld. He grew up in Kenya and now lives in London.

Praise For…


‘Gripping…a must read.’
— FT

‘[A] balanced reconstruction of the Benin saga and probes the difficult choices facing European – and Nigerian – museums… Phillips excels at tracing the roundabout ways in which objects could find their way into museums.’
— TLS

‘The storytelling is crisp, balanced and authoritative… As Britain continues to twist on the thorny issue of racism…this book’s laser-sharp focus on the casenotes from one instance of colonial cruelty allows for a much more informed understanding of the wider issue. Whereas before the now highly valuable Benin Bronzes might have had us looking in the attic for some forgotten heirloom, perhaps now we are left examining our consciences.’
— Tim Butcher, Spectator

‘Mr Phillips, a veteran British correspondent in Africa who knows Nigeria well, adds new and much-needed context to the story of the Edo empire and its bloody finale… Mr Phillips is at pains to show how deeply the Edo people feel the loss of their physical culture… But Mr Phillips is clear-sighted about the political and financial obstacles that must still be overcome.’
— Economist

‘His compelling book is full of African voices… It is balanced, sternly critical of the Brits when that is appropriate, but at the same time humane, reasonable, and ultimately optimistic.’
— Evening Standard

‘[A] valuable guide to a complex narrative… Throughout this tortured history, Phillips writes with journalistic detail, gathering his accounts from many sources, attempting fairness.’
— The Times

‘A veteran journalist based for years in Africa, Mr. Phillips has written a humane and thoughtful book, devoid of the sort of posturing that mars the debate over the repatriation of objects brought to the West during the colonial era.’
— Wall Street Journal

‘Vivid, dramatic and colourful, Loot is a story of empire running amok. It still has huge resonance in the debate about colonialism and racism today.’
— Kwasi Kwarteng, MP and author of Ghosts of Empire and War and Gold

‘Persuasive… Phillips is scrupulously fair yet damning. He points to the racist hypocrisy that rationalised colonial plunder…[and] covers the ritzy, often clandestine, history of the Bronzes on the western market, where some objects have been sold for up to £10m. Above all, his tale is one of competing ways of assessing material culture.’
— Prospect

‘This timely, thoughtful and beautifully crafted volume deftly guides us through a truly astounding passage of events. These are the kind of histories that change the way that we look at things we thought we knew – whilst shocking us at the things that we simply hadn’t grasped.’
— Gus Casely-Hayford,