The Midlife Mind: Literature and the Art of Ageing (Hardcover)
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The meaning of life is a common concern, but what is the meaning of midlife? With the help of illustrious writers such as Dante, Montaigne, Beauvoir, Goethe, and Beckett, The Midlife Mind sets out to answer this question. Erudite but engaging, it takes a personal approach to that most impersonal of processes, aging. From the ancients to the moderns, from poets to playwrights, writers have long meditated on how we can remain creative as we move through our middle years. There are no better guides, then, to how we have regarded middle age in the past, how we understand it in the present, and how we might make it as rewarding as possible in the future.
About the Author
Ben Hutchinson is academic director of the Paris School of Arts and Culture and professor of European literature at the University of Kent. His many books include Comparative Literature: A Very Short Introduction.
"Hutchinson offers quite a delightful mixture. The Midlife Mind is not a self-help book, a designation that brings to mind too many tacky titles peddling quack panaceas. Hutchinson's work belongs in much more sublime company, functioning smoothly as it does on many levels: literary analysis, philosophical exploration, historical synthesis, and psychology (in the form of bibliotherapy). Acknowledging the complexities of aging and noting that it is both biologically and culturally defined, Hutchinson directs readers to simultaneous acceptance and defiance of aging. As he puts it, ‘If the nightmare of middle age is to fossilize into brittle versions of [one's] younger selves, the dream of middle age is surely to take on new selves.’ Students of literature will find powerful, personal, and wise close readings of Dante, T. S. Eliot, Goethe, Montaigne, and others. General readers will discover, or rediscover, a methodology for claiming a lost or heretofore unrealized creativity and autonomy. Highly recommended."
“In this elegantly essayistic book, Hutchinson contemplates the central stretch of our human existence. Personal as well as learned, conversational but braced, it ranges widely through European cultures (Dante to Beckett, Montaigne to Beauvoir) and reminds us that being caught in the middle, with or without a crisis, can produce opportunities as well as restriction. Its great distinction is to respond to both with wise and warmhearted understanding.”
— Andrew Motion, Homewood Professor of the Arts at Johns Hopkins University, author of “Ways of Life: On Places, Painters and Poets”
"Weaving granular readings of major literary renderings of midlife with reflections on his own, Hutchinson’s The Midlife Mind is more than another book ‘about’ middle age. Mobilizing the qualities of irony and self-awareness for which it advocates, it is an elegant and absorbing performance of middle age as a preferred mode of writing and living."
— Josh Cohen, professor of modern literary theory, Goldsmiths, University of London, psychoanalyst, author of "Not Working: Why We Have to Stop"
"Hutchinson has reached middle age (forty-three) and uses his own experience of aging and what some famous writers have said about midlife to explore its meaning. He first sets the cultural context (it turns out that the 'midlife crisis,' like Philip Larkin’s 'sexual intercourse,' began as a concept in the 1960s), drawing on philosophers ancient and modern but especially on Michel de Montaigne, who withdrew from political and social life at the ripe old age of thirty-eight to compose his famous essays. Hutchinson then skillfully invokes a wide range of creative writers, including Dante, Shakespeare, Goethe, George Eliot, Henry James, TS Eliot, Samuel Beckett, and Simone de Beauvoir, for their experiences and views. It consoles him that some of the finest works of art have been produced in middle age."
— The Irish Times